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CHAPTER 9: TIME & MOTION

Across
An art movement that initiated new ideas about color, light, finish, and, to a lesser degree, dynamic movement.
An American art movement that grew out of surrealism, with an emphasis on spontaneity or subconscious creation.
A style of artistic expression, that emphasizes fantasy and whose subjects are usually experiences revealed by the subconscious mind. Originally grew out of Dadaism.
Stands for “Popular art” which was prompted by the dissatisfaction of younger artists with their position or prospects in relation to the dominance of abstract art.
A style of art that emphasizes universal characteristics rather than specific information. Often features a generalization of subject matter.
Down
Art that deals with the natural environment but can also be applied to historical and social contexts of a particular environment. Usually addresses environmental awareness and uses natural materials that do not cause harm to the environment.
A painting style invented by Pablo Picasso and Georges Braque, which uses multiple views of objects to create the effect of three-dimensionality while acknowledging the two-dimensional surface of the picture plane.
An art movement that refashioned Cubism in light of its own desire to glorify the dynamic character of the machine age.
An art movement that not only included art but also music, dance, and Literature and was a precedent for non-objective abstraction in the early twentieth century. Relied only on the basic elements for meaning-without any trace of the artistic process.
An art style from the 1900s that opened modern art to a new freedom of humorous expression, creative imagination, contradictory tendencies, and intentional provocation.