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The Stanislavski System

Teacher: Ms. Brand
Across
The connection between all a character’s objectives and what drives a character towards the super-objective
The memory of a physical sensation; It can be used to re-create a sensation on stage.
The circumstances in a text at any given moment.
A series of questions devised by Stanislavski to help an actor create belief in a situation.
question designed to assist the actor in using the creative imagination
The memory of an emotion; it can be used to re-create a feeling on stage.
Down
The movement in a unit.
The aspect if your imagination that allows you to put yourself in your character’s situation.
It is used to help the actor maintain concentration in front of an audience.
The actor’s sense of being alone while performing in public.
A section of text that has one unit objective.
Stanislavski's technique that an actor can use to create a character.